Wind Turbine I (Pheasant) Alžběta Wolfová 

"To produce images, I choose the photogram technique, which recalls the direct manipulation of biological specimens. I procure chicken eggs from the supermarket, which will later serve as my negatives, and it is this substitution that allows me to experiment with visual textures through optical tricks that deepen the image."

- Alžběta Wolfová

The relationships that humans have with animals, and how they choose to represent them, are central questions in the artist's work. Thus, according to Marjorie Bertin: "The artificial staging also leads to questioning the notion of animal-machine, which mechanizes nature and transmutes the body into a complex assembly of gears and spare parts."