HOMMAGE À HOMÈRE – 74cm FRANCESCO MARINO DI TEANA
- Dimensions : 74 × 115 × 27 cm
- Year : 1961-63
- Material : Patinated steel
- Editions : Edition of 8 + 4 AP
- Signature : Signed with the artist's stamp
- Thèmes : Architecture Geometric abstraction
- Ton : Dark
More informations
Referenced in the Artist's Raised Catalog under No. 636
LOFT Editions, 2018, under the direction of Nicolas Marino di Teana and Malika VINOT
Signal towers
The “Signal” towers that Marino made between the 1960s and the early 1970s are less obvious in their architectural design, but as equally rich in new perspectives in space distribution. Three of them, in Montpellier (H.17m), Chevilly (Orleans - H.17m) and Mulhouse (H.10m) mark a real visual renewal in the urban landscape of France between 1967 and 1968. However, the technical feats that characterize them result in a certain fragility which, due to lack of maintenance, led to the amputation of the Montpellier sculpture a few years ago. The strong symbolic potential of these works (such as The Mast in the colors of Canjuers or the monumental project for the city of Le Havre) comes from the synthesis achieved by the combination of their technical qualities, of their “organic” dimension (for instance evoking waves in Tribute to Homer or evoking stone in the structure at Clignancourt) and of their spatial properties (Dialogue with three cylinders).
Born in 1920 in Italie, Francesco Marino di Teana was graduated of the Fine- Arts school of Buenos Aires (Argentine), and then moved to France in 1953.
Painter, sculptor, architecte, philosopher and poet, he devoted his whole life and all his creation to discover, develop and construct the modelization projects of urban space. He undertook numerous public and private purchases between the 1960s and the 1990s in France and as well in Europe, a set of Fontaines Monumentales at Grand Palais (Paris), the 21 meters high Liberté in the Fontenay-sous-Bois which is the biggest sculpture of stainless steel in Europe (1990). Presented as well in many museums, like the National Museum of Modern Art, Marino di Teana was subject to a retrospective at the Musée d’art moderne de la Ville de Paris in 1976. He also represented Argentina to the Venice Biannale in 1982 and won the Commandant Paul- Louis Weiller de l’Académie des Beaux-Arts Prix in 2009.
Shop
MUSICAL COMPOSITION DYPTIC 1/2FRANCESCO MARINO DI TEANA
Liberté H.20cm BrosséeFRANCESCO MARINO DI TEANA
Liberté H.20cm ChroméeFRANCESCO MARINO DI TEANA
Monographie Francesco Marino Di TeanaFRANCESCO MARINO DI TEANA
Aube Version limitée cuivréeFRANCESCO MARINO DI TEANA
Aube Patine noireFRANCESCO MARINO DI TEANA
Catalogue raisonné Marino Di Teana Prestige Version “Patinated Steel”FRANCESCO MARINO DI TEANA
Catalogue raisonné Marino Di Teana Prestige version “Silver”FRANCESCO MARINO DI TEANA
Tribute Lao Tseu H.16cmFRANCESCO MARINO DI TEANA
TRIBUTE LAO TSEU H.16cm BrushedFRANCESCO MARINO DI TEANA
FRANCESCO MARINO DI TEANA CATALOGUE RAISONNÉ, 2018FRANCESCO MARINO DI TEANA
The same artist


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Université H.3M
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STRUCTURE DYNAMIQUE – PETIT THÉATRE
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FONTAINE
HOMMAGE À HOMÈRE – 74cm
VILLEMIN – H. 150 cm
TABLE BASSE – CITÉ AVENIR
LAO TSEU – 1.5M – ACIER
SAARBRUCKEN – 3M
DIALOGUE DE TOURS H236 CM
Aube – 50 cm
LIBERTÉ H.3M
Lao Tseu – H 150cm
Structure Dynamique “Grand Expansion”
Table Basse “Forme Espace”
Structure Développement “Canon effilé”
Cercle cube désintégré 25cm
Saarbrucken “Hommage à l’espace” – 50cm
Liberté – H. 75cm
Dialogue de tours “Tour espace Masse”
Structure Développement “Petit Canon”
Aube -150 cm
Entrelacement “Amour”
Buffet
Chaise architecturale
Bureau Architectural