At the end of 1990, as the gallery became the frontrunner of Chinese contemporary art in Europe, it clearly appeared that to be able to fully comprehend this new artistic movement at it’s beginnings, every one of it’s aspects needed to be explored. Experimental Calligraphers and Painters of Political pop Art are in the limelight, following by a tread the sculptors of the Stars movement and at this moment, beyond painting and sculpture, new forms of creation appear. It’s in the heart of the Beijing East Village, a derelict neighborhood for migrants and students on the outskirts of town, that the first generation of Chinese art performers is created.

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