Michelin China White

LI LIHONG

  • Weight : 8 kg
  • Dimensions : 24 × 27 × 28.5 cm
  • Year : 2019
  • Material : Ceramic
  • Editions : Edition of 300
  • Signature : Hand-signed

2 500.00 inc. Vat

1 in stock

More informations

As if emerging from a Chinese legend, a golden dragon glides along pure and cloud-like white curves of fine ceramic.

Powerful and mysterious, it coils in full meditation with triad tattoo-like lines on its chest and heart. When we take a step back to admire it even better, we discover that this Buddha of modern times is none other than a “Michelin” figure.

Once again, Li Lihong succeeds in surprising us and making us smile, he pushes visual codes and cultural certainties. East and West are brought together in unexpected marriage; the past and the present coupled furiously in contemporary works.


Born in 1974 in Jingdezhen, Jiangxi Province, China, Li Lihong graduated in 1996 from the Academy of Arts and Design, Tsinghua University of Beijing, and then in 2005 earned a MFA in the Jingdezhen Ceramics Institute. He is now himself professor of Chinese porcelain work at Fudan University in Shanghai, living and creating in this city.

A skillful Chinese ceramic artist, he comes indeed from a village well-known for the production of the Royal china porcelain for hundreds of years, where he learned the art of ceramics alongside the Grand Master Qin Xiling. Li Lihong gives a contemporary touch to traditionally painted china, mimicking the shapes of recognizable brands’ logos. His statement is univocal and strong : Western consumerism, in a globalised form, has become integrated into Chinese culture which is in struggle to preserve its integrity and savoir-faire.

However, the tedious and difficult process of production and the fine detailing on the painted glazes counter this blatancy. Li Lihong explores this contrast, a very contemporary Chinese attitude toward the traditional arts. Moreover, the frailty of his artworks and the preciousness of their material add another contrast to the cheapness and ephemerality of mass production and consumption.

Li Lihong has been showing his work regularly in China and other Asian countries for many years, in ceramics exhibitions and at biennials, as well as in many personal or collective exhibitions around the world.

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