Aurora, 1989 Bernard Quentin

"A dreamer knowing how to make dream (... ) a man orchestra which (knew) as well to play of the painting, the sculpture, the architecture, the engraving, the archaeology of the future, the stained glass, the mosaic, the tapestry, the goldsmithery, hieroglyphs, epic signs which can compete with those of Georges Mathieu and others with the graphics of Michaux (and conceived well before), electronic writings "Bip-bip" or graffiti which make appear 40 years later our young loubards-graffitistes like petty daubers. A genius jack-of-all-trades (who tried) to make a synthesis of all the artistic disciplines as well as of all the advanced technologies to reach all the public by different approaches, and where each one will be able, at some level that it is, to draw its truth." (Revue l'œil, August 1989)