QUAND JE REGARDE LA MER JE SUIS HEUREUX (WHEN I LOOK AT THE SEA I AM HAPPY), 2015 Bernard Quentin
- Dimensions : 120 × 2 × 80 cm
- Year : 2015
- Material : Painted wood
- Mouvement : Art sémiotique
- Thèmes : writing
- Ton : Clair
More informations
“A universal language had to be found and for that to happen, symbols understandable by all had to be invented. However, the meaning of symbols can differ from one continent to another; that is why I have decided upon symbols that can be interpreted by everyone. That is the universal dimension of it. I based myself on Kufic and Zen calligraphies, where each artist may add something, as well as meaning.”
Quentin
In 1977, Bernard Quentin created the L’Art+ collective alongside Jesus Rafael Soto, Jean Messagier, Jean-Pierre Raynaud, Pierre Restany et Serge Rezvani. Their goal was merging art into the environment by adding monumental elements to the landscape. He developed his “art-language” (BABEL 62 project, later renamed “QuentinBabelweb” in 1998), a language based on universal signs and symbols understandable by all.
Shop
FALAISE SACRÉE (SACRED CLIFF), 1992Bernard Quentin
FAUTEUIL CROISSANT ORANGEBernard Quentin
HALF-MOON ARMCHAIR SilverBernard Quentin
Half-moon Armchair GoldBernard Quentin
MOLECULAR ARMCHAIR SilverBernard Quentin
Molecular armchair OrangeBernard Quentin
Molecular armchair transparentBernard Quentin
Molecular armchair GoldBernard Quentin
Molecular armchair WhiteBernard Quentin
TERRE – GoldBernard Quentin
TERRE – SilverBernard Quentin
ART CUBEBernard Quentin
The same artist


Messenger, 1994
FOULE (SÉRIE DES MUTANTS), 1994
Art Cube
TOTEM, 1985
VERTIGE (VERTIGO), 1989
LE PASSAGE DU TEMPS (THE PASSAGE OF TIME), 1985
QUAND JE REGARDE LA MER JE SUIS HEUREUX (WHEN I LOOK AT THE SEA I AM HAPPY), 2015
JE PENSE (I THINK), 2014
CATHÈDRE (TRIBUTE TO CONFUCIUS)
When we think of infinity and eternity, it’s like the dream of a drop of water to be the ocean
Homo 2000
1989 Brume
1990 Lagoon
Aurora, 1989
The crowd
Red Sun, 1955
Swamp, 1989
Bataille 1955
Milano
Art H.3M